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Tamansari Yogyakarta: The Echoing Majesty of the Water Palace

Sep 1
5 min read

Set in a thickly inhabited district south of the Yogyakarta Palace, a historic complex appears to whisk visitors to the golden age of the Yogyakarta Sultanate. This complex is Tamansari (or Taman Sari, as it is often spelled). It is called the Water Palace because in the past it had bathing pools, canals, artificial lakes, man-made islands and other buildings surrounded by water.


Tamansari is not only a tourist destination that has beautiful corners. With its thick walls, lengthy corridors and calm pools, there is a story of the daily lives of the royal family, the evolution of architecture, the system of defense, religious activities and the preservation of Yogyakarta’s cultural heritage.



The Story of the Construction of Tamansari


Tamansari means “a beautiful garden.” The area was originally a royal garden of Yogyakarta Palace. The building took place in numerous steps under the reign of Sultan Hamengku Buwono I, beginning in 1758 and with some key parts completed around 1765. Candra sengkala, or traditional Javanese chronograms, in the form of markers denoting the years of construction, may still be found on various gateways and architectural decorations.


At the peak of its splendor, the Tamansari complex spanned over 10 hectares and was composed of some 57 structures. The complex contained resting rooms, bathing pools, water canals, artificial lakes, suspension bridges, a mosque, artificial islands, gardens and underground corridors. The scale and the range of facilities suggest that Tamansari was intended to be an integrated royal complex, rather than simply a bathing site for the royal family.


Tamansari was first conceived by Sultan Hamengku Buwono I. According to the Yogyakarta Palace records, the technical drawings were designed by a Portuguese architect named Demang Tegis, who was said to have arrived from Gowa in Sulawesi. Thus, the design of Tamansari presents a mixture of traditional Javanese spatial ordering and certain European architectural characteristics.


More Than a Recreation Place


Tamansari was designed to be a location of rest and amusement for the Sultan and his royal family. But the complex also had a defensive and religious role. Its defensive significance is shown by its high thick walls, guarded entrances, weapon-storage chambers, and the underground passageways that connected the various elements of the complex. Some of the buildings were high enough that one could see the landscape around them.


We can see the religious function by the presence of Sumur Gumuling and Pulo Panembung. Sumur Gumuling was utilized as a mosque, while Pulo Panembung was a spot for the Sultan to reflect and meditate. This combination of recreational, defensive and spiritual uses makes Tamansari one of the most interesting examples of spatial planning in the history of the Yogyakarta Palace.


Umbul Binangun Royal Bathing Complex


One of the best known parts of Tamansari is Umbul Binangun, a private bathing facility for the Sultan, the queen and the royal princesses. There are three primary pools in the area, from north to south. Each pool has mushroom-shaped fountains and is surrounded by high walls, relief-decorated gates and multi-story buildings.


The pools remain a big attraction since they still keep the aura of a regal water palace of yore. The water’s tint and the cream and brown shades of the walls around it evoke a serene, refreshing feeling. The Sultan saw that from the upper story of the adjoining building, the swimming area and its surrounds had earlier been visible.


Near this complex is the Gapura Panggung or Stage Gate, which today is used as one of the primary entrances for visitors. The top of the gate is like an open stage and lets you see the area around you. Another noteworthy feature is the Gapura Agung, or Great Gate, which used to be the primary entry to Tamansari. Its bird and flower reliefs are also a symbolic marker of the completion of an essential element of the complex in 1765.


Sumur Gumuling and the Underground Tunnels


Another structure closely related to Tamansari is Sumur Gumuling. It was a mosque in the middle of an artificial lake. To get to it, individuals had to pass through an underwater tunnel, called an urung-urung. Inside, the building has two floors, a number of recesses serving as mihrabs, or prayer areas, and an arrangement of staircases that connect in the middle.


The staircase layout has now become one of the favorite photo spots of Tamansari. But Sumur Gumuling is more than a strange-looking building. Its circular form and tunnel system are a testament to the designers who were able to balance religious concerns with requirements for air, natural light and efficient use of space.


Close to Sumur Gumuling are the ruins of Pulo Kenanga, an artificial island that formerly stood in the center of the lake. The island has a two-story building surrounded by ylang-ylang plants. The structure seemed like it was floating from afar, and this helped give Tamansari its famous appellation of the “Water Castle."


Damage and Efforts at Preservation


Not all of Tamansari’s glory remains. A significant earthquake in 1867 badly damaged many of its buildings, and the complex was ultimately abandoned. Locals started to build houses among the ruins and previous gardens. So what is seen of the Tamansari today is only part of the original complex.


1977 saw the start of serious restoration. Several subterranean constructions were discovered and researched; only a small part could be saved. Further rehabilitation, fortification and resurfacing were essential because of the damage caused by the 2006 Yogyakarta earthquake. Research and restoration work continue to better understand the original layout, construction processes, and water-management system of Tamansari.


Site of Living Heritage


One of the most characteristic qualities of Tamansari is its intimate relationship with the daily life of the neighboring community. The historic structures are not isolated from the local social milieu but are embedded in the surrounding neighborhoods. The complex is often accessed through residential alleys, passing by local houses, small businesses and artisan workshops.


This location makes a trip through Tamansari like a simultaneous experience of two time periods. The ruins of the Water Palace recall the royal life of the eighteenth century, but the area surrounding it is indicative of present-day Yogyakarta. Thus, Tamansari is not only protected as a historical landmark but also as a living culture legacy with the local population.


Taman Sari Visit


Tamansari is in Patehan, Kraton District, City of Yogyakarta. According to the official tourism information from the Yogyakarta Palace, the complex is open every day from 9:00 a.m. to 3:00 p.m. Visitors should visit in the morning to have a more comfortable experience, wear appropriate shoes as the site has stairs and tunnels and respect all clothing and heritage-preservation requirements. Hours of operation are subject to change, so please check the latest information before you arrive.


Local guides can also help tourists understand the purpose and historical significance of each building. Some of the constructions can appear to be just old ponds, gates or corridors with no meaning. In fact, each portion is linked to the traditions, the defensive system, the religious life and the cultural rituals of the royal palace.


Conclusion


Tamansari is the evidence that historical heritage does not always remain as fully preserved majestic buildings. Instead, its beauty lies in the placid pools, the faded reliefs, the echoing corridors and ruins that beckon the visitor to picture the past.


The visit of Tamansari is more than sightseeing. It is a voyage into the architectural sophistication and cultural traditions of the Sultanate of Yogyakarta. Stories of power, family life, spirituality, natural disasters and human endeavors to conserve historical heritage for future generations are still told inside the old walls of Tamansari.

 
 
 

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